Camas Logue is a multidisciplinary artist and enrolled member of the Klamath Tribes. His creative practice spans painting, carving, printmaking, and performance art. Logue’s work is grounded in place, material, and cultural tradition.

Logue’s paintings and prints serve as meditations on the elemental forces that shape the natural world. Through a layered process that incorporates wild-harvested and commercial pigments, he applies washes and intricate linework to wood panels and paper. His handmade tools extend the intimacy of his process, embodying a deep engagement with the materials and land. Each gesture is intentional, transferring energy from physical locations into a tangible proof of work. For Logue, painting is an act of witnessing—a way of listening to the earth and tracing its interwoven patterns.

His carving practice is informed by Klamath and Coast Salish traditions and shaped by mentorships with master carvers including Kevin Paul (Swinomish), Brian Perry (S’Klallam), Xwalacktun–Rick Harry (Squamish and Kwakwaka’wakw), and James Johnson (Tlingit). Through their teachings, Logue has developed a distinctive carving style that honors ancestral forms while contributing to contemporary cultural expression. His sculptural work includes both private and public commissions—welcome figures, poles, panel carvings, and large-scale community installations.

Beyond his visual art, Logue is also an accomplished musician. He plays drums and guitar for Black Belt Eagle Scout, the internationally touring band fronted by his wife, Katherine Paul. His creative practice moves fluidly between studio, stage, and ceremony—each a site for storytelling, connection, and cultural transmission. Whether through image or sound, Logue’s work explores the relationships between land, memory, and identity.